After years of photographing Boston harbor fireworks from my vantage point in East Boston with short exposures, I finally decided to work on the long exposure technique. Boston’s July 4th fireworks happen over the Charles River but this year there were also July 2nd fireworks over the harbor as the conclusion of Boston HarborFest’s Parade of Lights.
On Thursday May 2, at 10:30PM, I was in bed when an unrelenting series of booms and thuds convinced me the world was about to end. It turned out to be random fireworks. Having lived near Boston Harbor for years, I’ve seen lots of fireworks and I know that these shows are sometimes put on by private organizations who see fit to use their spending power to inflict their own “private” celebration on the entire city. Still, I couldn’t imagine that such a thing would be happening at 10:30PM so early in the season with no warning. Once I realized that the world wasn’t ending, I got out my camera and took these photos.
In the past few years I’ve enjoyed photographing fireworks when they happen over Boston harbor and sharing the images on Facebook. I feel these photos had become part of my Facebook identity. Looking back over my history there, I also see dozens of post about my musical projects and I remember struggling to describe the technical details of those projects in a way that might be accessible to my non-musician friends. With fireworks, I could just post an image and rely on the fact that people would want to see it because it’s the sort of thing people want to see. It always felt kind of decadent and fun to share something with incontrovertible popular appeal. Living in East Boston I have a good view of harbor fireworks and I end up seeing fireworks so often that I sometimes think “Not again!” But this past New Year’s Eve of 2019, the weather was rainy, the show was abbreviated, and I couldn’t get any decent shots, so I now feel a renewed interest in photographing fireworks the next time I have the chance.
Back in January 2018 my neighborhood in East Boston experienced significant flooding along with many other coastal parts of the city and region. At the time, I posted a few flooding-related photographs to Facebook and now, as part of my resolution to leave Facebook in 2019, I’m moving the material here. All three of these images employ the selective colorization technique that I wrote about in my post on Salient Color. They are all taken at the site of new condo developments on the East Boston waterfront near the Maverick T Station. The third image, “Sold Out,” was taken by Kannan T. and edited by me.
My process for leaving Facebook will involve reviewing what I’ve posted there and moving the good stuff to my blog. So here’s a start. Back in September 2017 I challenged myself to post one photograph each day for fifteen days.
Although photography makes up a large portion of what I share online, I feel a lot of internal resistance to posting my photographs. What gets posted is a minuscule portion of my growing collection. The resistance comes from a sense that the online world is a spectacularly bad place for concentrating on photos, and that to do justice to the images I love, I should make the effort to print them, frame them, and find somewhere to hang them, rather than taking the easy route of launching them into the noisy, crowded chaos of the internet. The goal of my September 2017 experiment was see how it would feel to bypass this internal resistance, suspend all my doubts, and just freely share my images for a while.
It felt pretty good. I appreciated knowing that my friends were finding some interest or pleasure in the pieces.
Here are the photos I chose to share on each of those fifteen days. On the first day, September 1, 2017, I posted three images of the same subject so there’s actually a total of seventeen photos here. To be clear, the photos were not taken on the days when I posted them; they are all older photos that had been waiting in my archive for a moment on stage.